Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jun 1, 2017 | Grisebach | Berlin | Ausgewählte Werke | 37 | $****** - ****** | Weg Nach Lugano , 1926 |
paintings
65 x 100.5 cm (25.59 x 39.57 in)
oil on canvas
monogrammed lower right: CH. On the stretcher with black chalk titled: Weg nach Lugano [crossed out]. There too a number label: 103
Baden Kunsthalle, Karlsruhe (acquired 1936 in exchange with the artist for „Selbstbildnis mit Dämonen“ (Wohlert 469 (B))
former inv. no. 1694)
there confiscated in the course of the NS campaign against "degenerate art", on 27 August 1937 / Depot Schloss Schönhausen, storage of works with "international value" /Bernhard A. Böhmer, Güstrow (on commission) /collection Willy Hahn, Berlin / Bad Aussee / Tutzing /private collection, northern Germany
Karl Hofer. Das gesammelte Werk. Mannheim, Städtische Kunsthalle, 1928, p. 15, cat. no. 135
Oscar Gehrig: Rund um die Karlsruher Kunsthalle. In: Badische Neueste Nachrichten, no. 176, 10.2. 1948, p. 4 / Franz Roh: „Entartete“ Kunst. Kunstbarbarei im Dritten Reich. Hannover, Fackelträger Verlag, 1962, p. 200 / Kat. Neuere Meister. 19. und 20. Jahrhundert. Produced by Jan Lauts and Werner Zimmermann. Karlsruhe, Staatliche Kunsthalle, 1971 / 72, p. 341, no. 1694 / Marlene Angermeyer-Deubner: Die Kunst-halle im Dritten Reich. In: Stilstreit und Führerprinzip. exh. cat. Karlsruhe, Badischer Kunstverein, 1987, p. 148, 153 and 159 / Günther Wirth: Verbotene Kunst, Stuttgart, Hatje Verlag, 1987, p. 267 / Susanna Köller: Das kommende Unheil. Karl Hofers „Selbstbildnis mit Dämonen“ und die Badische Kunsthalle im „Dritten Reich“. In: Das verfemte Meisterwerk. Schicksalswege moderner Kunst im „Dritten Reich“. ed. Uwe Fleckner. Berlin, Akademie Verlag, 2009, p. 385-400, ill. p. 394 / Christoph Zuschlag: „Freiwillige“ Abgaben moderner Kunst durch deutsche Museen nach 1933. In: Tanja Baensch, Kristina Kratz-Kessemeier, Dorothee Wimmer (eds.): Museen im Nationalsozialismus. Akteure, Orte, Politik. Köln, Weimar und Wien, Böhlau Verlag, 2016, p. 229, ill. 66 on p. 230
Wohlert 726 (see also Wohlert 921, 1168, 1330 and 1910)
